It is our goal that MuSO will allow scholars to discover high quality digital scholarship alongside primary musical resources and more traditionally disseminated forms of scholarship such as digitized monographs and electronic journal articles.’ In fact, the community surrounding this project is all dedicated to promoting greater visibility and access to music heritage artefacts and data. ‘Access to cultural heritage data is critical for MuSO. ‘MuSO will aggregate digital archives and collections, digitized printed scholarship, and born-digital scholarly resources in music alongside other humanities-related digital artefacts,’ says Tim. 65 : fragment (manuscrit autographe) / Ludwig van Beethoven, National Library of France, 1796, public domain.ĭr Timothy Duguid won the grant for work on his research portal MuSO (Music Scholarship Online). It was essential to me to make Visualising Voice a “democratic” project, which didn’t just show a non-academic audience what people are doing in universities, libraries and cultural heritage institutions, but rather that it gave them a chance to have a go at carrying out digital archival research for themselves.’Īh ! perfido, op. Caroline says, ‘My project is all about highlighting the fact that cultural heritage resources and digital humanities tools aren’t about us and them, that exploring the findings of research doesn’t always need to be mediated by the voice of the academic – anyone can try their hand at engaging directly with the resources in Europeana Collections, because they’re publicly available. Last year, as part of the Europeana Research Grants Programme, it awarded three researchers funding for projects that used cultural heritage collection material from Europeana Collections.Įxample from the Visualising Voice project, using L’Albatros by Charles Baudelaire.Ĭaroline Ardrey is a post-doctoral researcher who won the grant to help her analyse spoken performances of 19th-century French poetry through her project Visualising Voice.
#General imeme t professional#
One of the main reasons so many people are working so hard to create open culture is to give everyone, whoever and wherever they are, the opportunity to use amazing and fascinating cultural material in their own personal and professional projects.Ī branch of Europeana’s work, called Europeana Research, is dedicated to encouraging the use of cultural material in academic research.
You’ve provided high quality files for download. You’ve given them open licences so copyright isn’t a barrier to use.
#General imeme t archive#
So you’ve digitized museum and archive collections.
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